Musiques du film

« For TWIN PEAKS, I knew I would have to be flexible as an editor, so I mixed down the modest number of cues Angelo wrote in every combination I could, even separate instruments, and built them differently for each scene, allowing David to transform them during the course of a scene. Certain combinations became themeatic and lasted throughout the series. In WILD AT HEART, Lynch really relied on me again for that flexability. Since the picture never locked, even during the mix, he painted himself into a few corners with the existing music. He went out driving late one night during the course of the mix, and heard an old song on the radio that inspired him with some unifying musical ideas. The next day he asked me to put a band together and do some knockoffs. I had the guys in the scoring stage by late afternoon. He was really happy with what I came up with, and asked me to do one of Angelo’s themes as well. Now we were cooking. We ended up with David conducting us doing atmospherics for underscore. He used a great deal of it in the film, as well as conducting me playing low string pads on a synclavier in the final mix. I was flattered when he actually hired me as a composer to do the same sort of thing when he did FIRE WALK WITH ME. I’ve no illusions about being a film composer, because almost all (Hollywood) films are put together as a marketing package deal, and frequently the director has little input as to who he has as a composer; it’s always the same handful. »

 » I would say Lynch approaches the music as being more integral with the total design of all the sound. He actively crosses the line between music and effects, and it pays off in the incredible atmospheres of his films. »

Vous retrouverez sur cette page la liste des musiques utilisées dans Twin Peaks, Fire Walk With Me, présentes ou non sur la bande originale.

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